Scott Fowler

Scott Fowler sang lead for The Sound before being hired by the Cathedrals as baritone in 1991. After the Cathedrals retired in 1999, he formed Legacy V with Roger Bennett and moved back to the lead position.

Singing Career

1987-90 The Sound
1990-99 The Cathedral Quartet
1999-today Legacy V

Personal Discography (possibly incomplete)

1987: Take a Little Time (The Sound)
1989: By Request (The Sound)
1991: The Best of Times (Cathedrals)
1992: Camp Meeting Live (Cathedrals)
1993: High and Lifted Up (Cathedrals)
1993: Worship His Glory: Acapella Praise (Cathedrals)
1994: Raise the Roof 40th Anniversary (Cathedrals)
Radiate His Glory (solo)
1995: A Reunion (Cathedrals)
1996: Radio Days (Cathedrals)
1997: Alive! Deep in the Heart of Texas (Cathedrals)
1998: Faithful (Cathedrals)
1999: A Farewell Celebration (Cathedrals)
1999: Strong in the Strength (Legacy Five)
2000: Songs we Used to Sing (L5)
2001: Heroes of the Faith (L5)
2001: Heritage Vol. 1 (L5)
2002: Heritage Vol. 2 (L5)
2003: London (L5)
2003: Live at the Palace (L5 and Greater Vision)
2004: Heritage Vol. III (L5)
2004: Monuments (L5)
2005: A Little Taste of Heaven (L5)
2006: A Capella (L5)
2006: Live in Music City (L5)
2007: Friday Night Favorites (L5)
2007: Know So Salvation (L5)
2007: A Little Christmas (L5)
2008: A Tribute to Roger (L5)
2008: God’s Been Good (L5)
2009: Decade: A Celebration of Our First Ten Years (L5)
2009: Jubilee (L5, Greater Vision, Booth Brothers)
2009: Live at Oak Tree (L5)
2009: Just Stand (L5)
2010: Just Stand (with Gus Gaches) (L5)
2010: Give the World a Smile (L5)
2010: Jubilee 2 (L5, Greater Vision, Booth Brothers)
2011: A Wonderful Life (L5)

Contact

Legacy Five
2079 Long Hunter Chase Drive
Spring Hill, Tennessee, 37174
931-486-0020
Fax (615) 794-7693
www.legacyfive.com

3:1 CD Review: Right Now (The Old Paths)

3:1 Reviews offer three highlights of an album and one area that could have been improved. 1: Daniel Ashmore. Since the Old Paths’ last album, they had a change at the bass position. They found 21-year-old Daniel Ashmore—and what a find! He sings with a warmth and rich resonance which suggest comparisons to Big John Hall [...]

CD Review: Inspired (Justin Terry)

Tenors, lead singers, and baritones record solo projects. Bass singers rarely record solo projects. When they do, those solo projects are often more intriguing than anything else. It can be fascinating to hear a singer whose strength is rattling subwoofers attempt the broader range a solo album demands. The lowest bass singers sometimes don’t have [...]

3:1 CD Review: Live at Silver Dollar City (Dixie Echoes)

3:1 Reviews offer three highlights of an album and one area that could have been improved. 1: How Big is God. During Pat Barker’s time with the Dixie Echoes, “How Big is God” became his signature song. But much like Scott Fowler proved that the Cathedrals should keep singing “Champion of Love,” Mike Jennings proves that [...]

3:1 CD Review: In Good Hands (Declaration)

3:1 Reviews offer three highlights of an album and one area that could have been improved. 1: I’d Still Walk With Jesus. If this Jim Brady song sounds vaguely familiar, there is a good reason—it was recorded in 2006 by the Rochesters. But few remember that rendition, and the two groups have rather divergent styles. Of [...]

3:1 CD Review: Gospel Echoes: Treasures from the Stamps Quartet Music Company (Heritage Harmony Quartet)

3:1 Reviews offer three highlights of an album and one area that could have been improved. 1: Concept. Few Southern Gospel releases can claim to be completely unique, but this is one of them. Shawn Degenhart, lead singer and visionary behind the project, had special access to the Stamps Quartet Music Company’s extensive 5,000+-song catalog. While [...]

3:1 CD Review: The Call is Still the Same (Dixie Melody Boys)

3:1 Reviews offer three highlights of an album and one area that could have been improved. 1. “The Call is Still the Same”: The title cut is an autobiographical look at the challenges and blessing of a life spent following Christ. Tenor Matt Felts anchors the song, the best anthem the group has recorded in a [...]