SouthernGospelBlog.com

Positive Daily Commentary on Southern Gospel   

28 July 2009

CD Review: This Must Be Glory (Shiloh Mountain Trio)

Posted in: 4 star, CD Reviews — Daniel J. Mount @ 7:00 am

AlbumArt__F7BE90BC-E014-421D-BF61-3A4B6F2FB533__LargeRating: 4 stars (of 5)

Average Song Rating: 4 stars (of 5)

Members: Susi Cox; Naomi Hicks; Ben Massey.

Song List: This Must Be Glory; Swing Lo’ Sweet Chariot; Heavenly Sunlight; Run Home; Fairest Lord Jesus; Just a Closer Walk; See a Dead Man Fly; Carry You On; Rocky Narrow Road; Just the Way; Golden Banjo; It is Well.

* * *

Shiloh Mountain Trio is a Christian bluegrass sibling trio. Ben Massey, Susi Cox, and Naomi Hicks were three of twelve siblings of a Southern Baptist preacher and grew up singing together. Massey plays banjo in their live performances, and Hicks plays guitar; Massey plays all instrumentals on their recordings.

This CD, their debut project, is two years old but is still their current project. Ben Massey wrote four original songs for the project, “This Must Be Glory,” “See a Dead Man Fly,” “Rocky Narrow Road,” and “Golden Banjo.” “See a Dead Man Fly” is a particular standout, a well-written lyric and melody that delivers on the promise of the unique hook in its title. Susi Cox wrote three more original songs for the project, “Run Home,” “Carry You On,” “Just the Way.”

Vocally and instrumentally, this project brings to mind the 90s era Isaacs. The tight sibling harmonies shine, particularly in acapella settings like the intro to “Swing Low Sweet Chariot” and the final verse and chorus of “It is Well.” This is a solid, professional project, showcasing a group that has plenty of talent and potential.

Bookmark and Share

Encores

Posted in: Commentary — Daniel J. Mount @ 5:47 am

In this genre, with how common encores are, we often take them for granted. “Encore,” as used in the patois of Southern Gospel music, refers to a turnaround, a repeat of a final verse and chorus. Typically, since most groups use soundtracks, encores are arranged and recorded in advance; sometimes but not always (depending on the group), they are performed by default.

Though most Southern Gospel groups will encore songs that get a good response, there are a few exceptions, most memorably Jake Hess. After years of doing encores with the Statesmen, when he started his own group, the Imperials, in 1964, one of the rules he made for the group was that they would never do an encore. He thought that if a song didn’t get all the response it deserved the first time through, a second time wouldn’t help things.

What place do (or should) encores have in our genre?

I’m personally in favor of (at least some) encores, though I think they may be over-used.  They are best when there is some spontaneity involved—i.e., the Perrys encoring “Who am I,” “God Walks the Dark Hills,” or “Did I Mention” acapella, or Arthur Rice holding a note nearly forever, before the band kicks in for an encore of “What We Needed.”

What do you think?

Bookmark and Share
 

Featured Article

An Interview with Mark Trammell

November 2009


All 410,886 words in all 1470 posts are © 2009 by Daniel J. Mount.

Theme designed by MainCore and modified by DJM.