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24 January 2008

Post of the Day: Keith Waggoner on CCM vs. SG

Posted in: Other SG Bloggers — Daniel J. Mount @ 7:42 am

Liberty Quartet’s tenor Keith Waggoner writes a blog that has both personal/family and Southern Gospel-related posts. But it’s invariably interesting enough to make my daily read list. Yesterday’s post on how he’s faced the modern vs. traditional music debate from both sides is interesting and informative reading, even if it does carry the title “Soapbox Rant.” Particularly interesting is when he discusses a somewhat frequent occurrence, when those who view their music as too traditional often come up afterwards and sheepishly admit that it actually blessed them.

Inspirations wow Picayune journalist

Posted in: Southern Gospel News — Daniel J. Mount @ 7:05 am

While the Inspirations do produce good records, I’ve been of the opinion for some time that their popularity stems from their live shows. This story in the Picayune (MS) Item is a good example why. The paper’s Lifestyles editor attended the concert, and, judging from the tone of the article, was quite impressed:

The crowd sang, clapped and shouted “amen” throughout the concert, as The Inspirations, a four part harmony group, gave the performance of a lifetime with mostly up tempo songs. …

The groups’ weaving harmonies, rounds, crescendos and decrescendos would melt even the hardest of hearts. Bass, Mike Holcomb, outshined in almost every song as his booming voice reverberated in the chest, and brought goose bumps to the flesh.

The most touching and beautiful song was performed a cappella and sung by a tenor voice lead. When the group joined in, again without accompaniment, the harmonies were spot on. The bass vocal line cut through while the tenor’s vibrato soared and floated above all four parts.

The author, Ginger Schmidt, concluded: “No matter your faith or belief, you will be inspired by the group. They live up to their name in every way.”

Whether or not you’re an Inspirations fan, it’s nice to see Southern Gospel groups winning over hearts of the merely curious in attendance.

 

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