Hearing the Colonial City Quartet’s smooth blend last Saturday got me to thinking. Every now and then, a quartet will assemble four voices that harmonize perfectly as one. Quartets with what I describe as “perfect blends” have singers who individually have strong voices, but can blend those voices to produce a distinctive group sound much greater than the sum of the components.
Of course, it isn’t just a certain combination of singers. Even once a group has the right combination of singers, it often takes several years before they sing as one.
Not every quartet ever achieves this perfect blend. (Not every quartet tries; the Kingsmen and Gold City, for example, make a point of spreading the harmony parts octaves apart for the big endings. And mistake me not; I love that form of Southern Gospel as much as any other fan.) But when it happens, it is something worth remembering and preserving.
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