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22 July 2008

Matthew Holt leaves Perrys

Posted in: Southern Gospel News — Daniel J. Mount @ 7:00 am

Yesterday afternoon, an anonymous individual posted comments on several blogs that pianist Matthew Holt had left the Perrys. (I didn’t approve the comment left on mine.)  The official announcement came out last night; Holt will be leaving the group after this weekend’s concerts. The press release states:

The award-winning Perrys have announced the departure of their pianist of four years, Matthew Holt. Group spokesman, Tracy Stuffle, says, “Life is a series of seasons and this group has been blessed to enjoy Matthew’s talents for a fantastic seaon. He’s a very fine pianist and an even better young Christian gentleman, husband and father. We know great things are in store for him and we fully support him in his decision to slow down.”

Matthew will be departing Southern Gospel road life to become the Assistant Director of the Renaissance Music Program at Bethel College in McKenzie, Tenn., the west Tennessee community where Matthew makes his home with his wife, Lindsey, and their son, Fletcher. His last tour with the Perrys will be July 24-26.

The Perrys will announce the name of their new pianist within the coming weeks.

The press release doesn’t mention any open audition call, but with a piano player (Troy Peach) already on the bus as their bus driver and sound man, they shouldn’t be hurting in the interim until a new player is announced.

20 July 2008

Pandora Radio

Posted in: Southern Gospel News — Daniel J. Mount @ 7:00 am

A couple of weeks ago, I set up an account at Pandora Radio, www.pandora.com. It is a free online radio service that plays a customized mix of songs based on songs you’ve said you like (or don’t). You set up an account by defining one or more artists whose style you consistently enjoy, and refine results in the future by clicking thumbs up or thumbs down when you particularly like a selected song.

Their Southern Gospel selection is decent, though with a rather heavy focus on Homecoming artists (as would be expected from a project that is not SG-specific). Crossroads artists are featured from time to time; Daywind artists seem to appear more rarely than their popularity in the genre would suggest.

One tip: Don’t click thumbs up on songs you like but only want to hear occasionally. Songs you’ve marked thumbs up are circulated back into the rotation frequently, and the only way to break that is by clicking thumbs down, which more or less removes the song from rotation altogether.

Pandora doesn’t have a wide enough selection to supplant live365 stations and streams of physical AM/FM stations yet, but it is based on an interesting concept and seems to be an enjoyable site.

16 July 2008

SGConcerts.com update

Posted in: Southern Gospel News — Daniel J. Mount @ 7:24 am

SGConcerts.com, the website I launched a week or two ago, is off to a running start. We have reviews up from five of our contributors to date. Some of our contributors live in areas (Oregon/Idaho, California, etc.) where Southern Gospel groups rarely come, so they will only be able to contribute occasionally, but this is a decent start.

Some of the first posts have come under criticism in certain quarters for being too positive. Is it not better to err on the side of being positive than going to the opposite extreme? Besides, what is the point of going to a concert if there isn’t a decent chance you’ll enjoy it? And if one of my contributors enjoyed a concert, I sure hope that would come through in their review.

15 July 2008

Album Remakes 2: Gaither Vocal Band revisits Happy Goodmans

Posted in: Southern Gospel News — Daniel J. Mount @ 8:36 am

A couple of weeks ago, I wrote a post about what it would sound like if the Booth Brothers covered an entire Cathedrals album, Easy on the Ears, Heavy on the Heart. This was supposed to start a weekly, multi-part series, but then there were a couple of busy weeks in Southern Gospel, so that fell by the wayside.

Things have calmed down enough that I can do the second post in this series. Imagine what it would be like if…the Gaither Vocal Band covered the Happy Goodmans’ album Chosen.

Chosen is a mostly forgotten entry in the Happy Goodmans’ discography, since it was recorded after Howard and Vestal left the group. The lineup is Rusty Goodman, his daughter Tanya, Sam Goodman, and Michael English. The songs:

  • “The Cloud He’s Coming Back On.” The Kingsmen and Triumphant Quartet have both recorded this within the past year, but a GVB rendition would probably be solid enough and different enough to be worth a listen.
  • “I Bowed On My Knees and Cried Holy.” Wait a minute, the GVB has already done this song. It would be a little too obvious to feature Guy Penrod, but either a Wes Hampton or a Marshall Hall feature would add an interesting twist to the song.
  • “Home.” The GVB has also already covered this song, also, fairly recently. It fits their style.
  • “The Message of His Coming.” This catchy song is the primary reason this album remake pairing came to mind. Someone–whether the GVB or another group–needs to bring this song back.
  • “He Speaks to Me.” This would probably be a good point to feature Marshall Hall.
  • “Look for Me.” This song, originally featuring Tanya Goodman Sykes, would make a great Wes Hampton solo.
  • “Sail on Over.” This group-harmony song gives a nod to the convention song style.
  • “He Chose Me.” I think this originally featured Rusty Goodman; it would fit Marshall Hall’s style.
  • “Somebody Prayed for Me.” Guy Penrod could be featured here.
  • “Someone to Care.” This would be a good feature for Bill Gaither.

14 July 2008

Crossroads announces new website

Posted in: Southern Gospel News — Daniel J. Mount @ 7:15 am

Last week, Crossroads announced a re-launch of their website. Here’s the press release:

Crossroads Entertainment & Marketing has just launched a new web site and online store featuring thousands of Southern Gospel and Bluegrass songs and accompaniment tracks, available both as physical CD’s and digital downloads. Besides serving traditional CBA and secular retailers, Crossroads can now serve the needs of individual customers buying from the comfort of their own homes. The new site and store are the result of months of planning and implementation by Crossroads, one of Southern Gospel’s leading marketing companies. The website includes information about recording, track leasing, radio, labels and artists, and publishing, as well as the store. Crossroads serves as the record label to many of today’s leading Southern Gospel and Bluegrass artists as well as the distribution arm for several independent groups and partnering labels.

Crossroads executive Mickey Gamble and Sr. V.P. of Sales and Marketing, Scott Wagner have worked closely with programmers and designers to create a site that is visually inviting and simple to use. The digital download function of the store features the ability to purchase as full album releases or individual songs, and Singing News soundtracks as individual tracks. According to Gamble, “This is a first in the industry. Soundtrack users can listen to and purchase exactly the version and key they want for only $1.99, rather than having to buy the whole set at a much higher cost.”

According to Wagner, “The site is an evolving process that will constantly be updated with information and an ever expanding music library. Our goal to have a dynamic site so that people will visit often to see what’s new with our community and artists and, also, to know they can have an easy and secure shopping experience.”

“This is the beginning of a new era for Crossroads”, states Crossroads executive Chris White, “For the officers of the company, Mickey Gamble, Jeff and Vickie Collins, myself and all of our staff, this is something that makes us feel like we can finally service the world with our artists and our products, and in a matter of minutes. As we move from the world we’ve always known in our daily business, to the new world of technology, having these new pieces in our business ‘tool box’, will keep us and our music growing.”
Over the next few weeks and months, it is the company’s intention to make the online store Southern Gospel’s one-stop shopping for digital distribution, allowing other companies and independent artists the opportunity to present their products as digital downloads to a world wide market. In the August issue of the Singing News Magazine, Kenneth Kirksey will feature an article discussing how downloading music is becoming a standard in today’s world of purchasing products. The article will focus on the ease and safety of internet buying. To visit the new Crossroads site and store, simply log onto www.crossroadsmusic.com.

Enough labels and groups have started making downloads of current product available that making current releases available for download is nothing new. The news here is in their intent to eventually upload not only their own back catalog, but the back catalogs of other artists (table projects) and even labels. That’s a vision I’ve been hoping someone would catch for several years, and I’m glad to see Crossroads getting the idea and working to implement it.

12 July 2008

Cathedrals Stacking Vocals on “There is a Fountain”?

Posted in: Southern Gospel News — Daniel J. Mount @ 10:14 am

Yesterday, I was listening to one of my favorite Cathedrals projects, You Ain’t Heard Nothing Yet. It was released in 1979 and was either the final or one of the final projects recorded with Roy Tremble and George Amon Webster.

The Cathedrals sang the first verse of “There is a Fountain” acapella to start the project, and another verse acapella to close it. George Younce sings the melody, and the rest of the parts are inverted above him. What I didn’t notice until yesterday is that while George Younce’s voice is unmistakably on lead, it sure sounds like there is a bass harmony part beneath it. That sounds like Younce’s voice, too. (Plus, the song is keyed in G, and the bass part goes down to a D–few baritones could hit that note the way it was hit here.)

The thought occurred to me that Younce may have done the two leadoff notes for each line before handing off the melody line to someone else and slipping back down to a harmony part. But especially on the choruses, where the bass part is also audible, it’s unmistakably his voice on the lead.

Does anyone know if he overdubbed his voice onto a second part for these tracks?

11 July 2008

Body of Matt Dibler’s nephew found in Iraq

Posted in: Southern Gospel News — Daniel J. Mount @ 7:11 am

Perhaps a year ago, it was announced in Southern Gospel circles that Inspirations lead singer Matt Dibler’s nephew Byron Fouty was missing in action in Iraq. In today’s headlines, Fox News is reporting that Fouty’s body has been found.

Keep the Dibler extended family in your prayers, as this confirmation of what they had been fearing is undoubtedly tough. The only bright side, if it can be called that, is that the suspense is over–wondering if he was dead, or a prisoner being tortured, must have been almost as bad as this.

10 July 2008

Naomi Sego to reconstitute Segos

Posted in: Southern Gospel News — Daniel J. Mount @ 7:24 am

Contrary to previously published reports (including one from her label), Naomi Sego announced last night that the Segos will not be coming off the road. Singing News has the story (subscribers-only link). She will be bringing former Segos tenor Jerry Gill and former Segos baritone / emcee Scott Spangler back on board.

Sego pointed to Dottie Rambo’s death as reinforcing for her that “the Lord still has a song for me to sing, and I plan on doing just that.”

9 July 2008

Announcing SGConcerts.com

Posted in: Southern Gospel News — Daniel J. Mount @ 6:29 am

For the last few months, I have had the idea of putting together a blog where selected contributors from across the country can write reviews of concerts in their state. After about two months of conceptual and design work, the blog is ready to launch. Our contributors, from across the country, are:

  • Diana Brantley (Georgia)
  • Obadiah Neasham (Oregon/Idaho)
  • Hannah Lefchik (Ohio)
  • Sony Elise (Michigan/Indiana)
  • John Scheideman (California)
  • Aaron Swain (Virginia)
  • Adam Edwards (North Carolina)
  • Daniel J. Mount (Ohio)
  • Matt Paasch (Missouri)
  • Bethany Savage (Michigan/Indiana)

Some of our contributors (like yours truly) only catch occasional concerts, but other(s) catch a concert or two every weekend. So we’re hoping to have fresh content up each week. Bookmark www.sgconcerts.com and check it frequently!

8 July 2008

Canaan to release live Hoppers recording

Posted in: Southern Gospel News — Daniel J. Mount @ 7:10 am

The Hoppers distributed a press release announcing that they will be recording a full-budget live recording to be released on Canaan Records:

The legendary Hoppers have announced plans to record a brand new project across North America. From Jackson, Tennessee to Bloomfield, Ontario Canada.

From Jackson, Tennessee to Bloomfield, Ontario Canada, Claude, Connie, Dean, Kim and Mike will perform in front of a live audience, which will be captured and released by Canaan Records and Word Entertainment for fans to enjoy. Both old and new material has been selected for the recording including great arrangements of the classics “10,000 years,” written by Elmer Cole and “Ready To Leave,” penned by Joel Hemphill. Phil Cross and Jim Brady have written a brand new song entitled “Pathway Built For Two,” while Connie is bringing back the popular Hoppers standard “Jesus Saves.” The Hoppers invite everyone to attend this exciting once in a lifetime event. Recording cities include: July 18 - Jackson, TN July 19 - Terrell, TX July 27 - Roopville, GA July 31 - Rome, GA August 1 - Marion, NC August 2 - Bloomfield, ONT “This is going to be a fun project for The Hoppers. After many years of studio recordings, we wanted to take the gear and manpower back out on the road and capture what we get to enjoy night after night. A live audience. Being able to sing great songs with an uplifting message that so many folks can relate to is a wonderful experience. We all enjoy the power of the Gospel through a song and The Hoppers are honored to sing them.”

Not only is this a great move for the group, it is a move of genius for Canaan. Fully produced live recordings with a live band defined the genre during Canaan’s heyday. This move gives observers hope that perhaps the new Canaan will be at a level making it worthy to bear its predecessor’s name.

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