SouthernGospelBlog.com

I recently had the opportunity to interview Scotty Inman, baritone for Triumphant Quartet, www.triumphantquartet.com.

A formatted version of the interview is here; a plain text version is below.

(Continue Reading >>>)

Phil Collingsworth is the father, group manager, and baritone singer for the Collingsworth Family. Most of the interviews I’ve done for this site have been via email or phone, but for this one I had the opportunity to talk in person before a recent concert.

For a formatted version of the interview, click here. A text version is below. (Continue Reading >>>)

I recently had the opportunity to interview Wes Hampton, the tenor for the Gaither Vocal Band. The group’s website is www.gaither.com; his personal site is www.weshampton.com.

For a formatted version (including photos, courtesy of Hannah Lefchik), click here: southerngospelblog.com/features/200901.pdf. A plain text version is below.

I’d like to offer a special word of thanks to fellow blogger Wes Burke. When he posted a brief interview with Wes Hampton a couple months back, it planted a seed in my mind—”Hey, it just might be possible to interview a member of the Gaither Vocal Band!” So thanks to both Wes’s, here you go…

DJM: How did you get interested in Christian music, and what led to a desire to perform it?
Wes: When I grew up, my parents always had it in our car, and at home—the 8-tracks with the Imperials and Steve Green. Those two were the main ones that really influenced me from an early age. I also heard secular singers like Billy Joel, Ronnie Milsap, and Whitney Houston. They were amazing vocalists, but I always gravitated more toward the Gospel stuff. I really loved The Best of the Imperials—I fell in love with their music.

I was still pretty shy as far as singing. Other than children’s choir, I didn’t sing in front of people. I didn’t get courage to sing till I was in eighth grade, middle school, getting a little more courage to start singing in public.

Singing has been a part of my life from a really early age, but it’s just gotten more intense. I’d like to think that my voice has grown the longer I’ve done it.

DJM: What did you do musically before joining the Gaither Vocal Band?
Wes: I did do some stuff in college at Trevecca Nazarene—I traveled with the Trevedores for a couple of years. We did PR for the school; we would travel weekends, singing at churches, and in the summer we would do music for student youth camps. I really, really enjoyed that. My wife brought me down to Birmingham, where we still are. I got involved interning with the worship staff at our church down here. I started working with the praise team. I was eventually hired part time, then full time once I graduated in 2000. My primary job there was to lead praise band and vocal team. I would pick out some of the music, and lead worship when worship pastor wanted me to or was out. It was kind of like an associate worship minister there. I really loved it. I loved working with soloists as well, and some choir. It wasn’t a traditional choir, but all the praise teams come together, and an open choir, whoever wanted to be be a part of that. I really enjoyed that, they gave me a lot of hands on experience as far as working in the church setting, leading worship, being in front of congregation. I also worked part time in retail when I was working part time at church and trying to finish school. I learned a whole lot in those few years, like how to live on a budget!

I also sang in high school in a quartet and trio. Churches had us come and sing, and they took up a love offering. It was the coolest thing to do what we really enjoyed doing—to get paid for it was just a bonus! So music is something that has just grown and got more intense.

DJM: So did you do any recordings in high school or college?
Wes: Yes, but I don’t talk about them!

DJM: Oh, sorry, I can skip that question!
Wes: No, that’s okay, I can answer. Actually, we did record stuff at Trevecca. My wife was in a mixed ensemble with seven or eight people and I was with the Trevedores. We did a CD together—half a CD with her group, half with my group. It was really rough, but it’s still fun to go back and listen every now and then, to how bad I was!

But there’s some really good stuff in there too. We learned how to become better singers. We heard vocal inflections and placement that did not work, and that made us better singers as well.

Then I also did a couple CDs with Brook Hill. The church I was involved with in Birmingham did one in 98/99 called Whosoever, and then another one a couple of years later, called Rain Down. Rain Down was a lot of fun for me; I produced the solos. It was a big learning experience for me. Those were all that I know of besides the Vocal Band titles.

Oh, and my wife and I did a lot of studio singing, background vocals for local artists.

DJM: For the first few years, it seemed like a lot of people were discussing how your voice and range compared to David Phelps. Now that you’ve been there somewhere towards four years, are you seeing less of that?
Wes: Yeah, I am!

I remember I talked to David when I first got in the group. He said, “It took a couple years for people to start to accept me. That’s just part of it.”

It was true. I’ve been with the group three and a half years now, and it really took about two years to get established, where people were accepting me and starting to like me, and like the new sound.

It came to a point, too, where God really spoke to me and I realized He told me to be me and to not try to be or do what someone else does. I’m no David Phelps. I cannot hold on to those C-sharps like he can—he’s the only one I’ve heard who can do that!

I highly respect that, his talent, and what he brought to the vocal band in those years.

What he told me stuck with me. And I really feel like people now are giving me respect, if you want to call it that, accepting the fact that I am in this role and that I’m not geared to take David’s place. I cannot be that—I’m hear to bring what I can bring to the party, and hope people enjoy that, and what this Vocal Band brings.

Each Vocal Band brings something different—each is unique, not that one is better than the group before that, it’s always different and always interesting. But it’s hopefully always at a certain standard, and hopefully that bar is never lowered.

I think most important thing for me is to know that this is where God has placed me. I have peace and confidence in that, and I don’t try to be someone God has not called me to be.

DJM: So what has it been like to sing with David these past three months?
Wes: It’s been a lot of fun singing with David filling in. The blend was so nice—he and I would switch tenor depending on what song it was. If it was one of his big staple songs, he’d sing it, and it would give me a vocal break and sing a little lower. He and I would each do some baritone, also, with Marsh singing lead. So we were singing any of three different parts. It was nice to have some rest there, with usually singing the tenor all night.

DJM: Speaking of David Phelps and his big songs, are there any Vocal Band songs from that era that the group doesn’t stage since they don’t fit your voice?
Wes: Yeah, one of the big ones that we haven’t done is “Let Freedom Ring.” That is really his song. And, Bill being fair to me and wanting me to blend, didn’t want to put me in a position that was difficult for me to succeed at. He knows what I can do vocally, and what I can’t, and what Guy, David, and Marsh can and can’t do vocally, and he works with that.

Actually, I think “Let Freedom Ring” is the only song we haven’t done that was a big one when he was in the group. I think that’s it; we’ve done about everything else—“Hide Thou Me,” “Love of God,” “O Love that Will Not Let Me Go,” “I Pledge My Allegiance.”

DJM: Are there any vocal exercises you’ve done to work on your voice and perhaps expand your range, both before and after joining the GVB?
Wes: Not necessarily. I don’t do a lot of vocal stuff on a concert date because my voice warms up naturally. There are some nice low notes when I wake up, and as the day goes on I start warming up and it gets higher. I do lip rolls, humming, and head voice to loosen up my voice.

Probably the biggest change since joining the Vocal Band is more stamina. When I was leading worship, it was in a lower register (range), and that register was a lot stronger with my upper range not as strong. I’ve had to build that back up since joining the Vocal Band. It was a struggle for the first year, but I’d like to think I’ve got more stamina, like to think that the sound has improved.

DJM: If you could pick one earlier GVB member to do a concert with, who—and why?
Wes: Steve Green!
DJM: I thought maybe!
Wes: He is just a big musical influence in my life. I listened to him at such an early age and his  music has such a tremendous impact on my life. I got to sing with him this past year—it was a huge highlight of my life. He was so gracious, so kind. I loved his spirit, his story, how open is in his concerts—how he used to perform for the wrong reasons and how God used people in his life to point that out to him and change his direction. I love his music, his heart, and I’d love to do a concert with him one day.

DJM: I still watch that video of It is Well with My Soul you two did together every now and then—great video! (Link: http://www.youtube.com/watch?v=W8Qub3wklEM)
Wes: In fact, I’ve gone back and watched it four or five times myself—I remind myself that it really happened!

DJM: There’s one point—I think it’s the second to last verse—where I can’t tell who’s singing the harmony. Is that you or him?
Wes: I basically did the higher harmony stuff, except where I have the lead. When we rehearsed it that afternoon, we were thinking I could take the high part to be a little break for him vocally. I actually messed up several things in that recording because my brain was so fried!

DJM: I think the Vocal Band reunion video is coming out later this month?
Wes: Yeah, it is.
DJM: Have you heard anything about whether there might be any reunion live concerts?
Wes: Wonderful question! I have heard mention of that [possibility], but I don’t know what the probability of that is. I would be the happiest boy on the planet if that happened! To get together with those guys in a Vocal Band reunion tour would really rock! But I’m not sure if it’s gonna happen.

DJM: At the 2007 Homecoming taping where there was a day of hymns and a day of new songs, there have been three videos released with footage from the hymns taping day. Do you have any idea if the videos from the day of new songs will be coming out this year?
Wes: Yeah, they’ve finished another couple of videos, and they’re waiting for the right time to release those. I think they might release a couple more hymns videos yet. The day before the hymns taping, we did a taping on the Opry stage with the number of singers and all that, but a different setting and a different set. A couple of videos from that day have not been released yet. I would say at least three more videos from those dates will be coming out this year.

They have so much video footage at the Gaither Studios—they have a lot of video footage and old videos that have never been released, and I don’t know if they ever will be. Who knows if they’ll ever make videos out of those. They even have a couple of finished videos that have never been released.

DJM: Speaking of unreleased footage, I think I read in the liner notes to Lovin’ God, Lovin’ Each Other that the Vocal Band recorded twenty-four songs, and released thirteen in the end. I imagine Gaither does this kind of thing with the other Vocal Band projects, too—do you know if there are any plans to release any of this?
Wes: Yes, for that one, I think they did 25 songs. I think some of those will never be released—they just did what they thought was best.

There are at least two songs that haven’t been released from Lovin’ Life—we have nineteen finished songs we recorded. We redid “These are They.” “Let the Celebration Begin” was a great one that Gerald Crabb wrote. “Fear Not” was offered as a bonus track with the Vocal Band Christmas pre-release, and then we did another one called “Praise You” that hasn’t been released.

DJM: Do you know if the Vocal Band will be releasing any CDs this year?
Wes: Yes, there are plans to release at least one CD this year, and maybe more.

DJM: I’ve seen on some of the more recent Vocal Band projects that each group member is listed as a co-producer. What did that look like? Did you all do everything, or did different ones handle different roles?
Wes: Well, Bill primarily decides which songs are gonna be on the CDs, but he’s very diplomatic. He’ll take good suggestions, he’ll take a good song no matter where it comes from.

On Lovin’ Life, we didn’t have another producer, just us. We were all there for everything, and we all kind of gave our input—like when it came to mixing it down, more kick right here or more whatever. We were all tweaking and listening all the time, when recording and mixing down. Bill just loves that, and that way everyone feels like we all have a vital part in that. He graciously listed us all in the album credits.

DJM: What about tracking? Who would write the tracks for the musicians in the studio?
Wes: It was interesting when we did that. Gordon Mote was kind of the session leader. He’ll just kind of play the song, and all the musicians find their parts as he plays the song, it just happens. Someone makes charts, and they’ll kind of just go from there.

DJM: But I would assume that before that point, you’ve already decided keys, what key works for what voice, and all that sort of thing?
Wes: Yes—say for “I Will Go On,” we all sat down with each other, to see what was good for each voice, and that was on the date that we tracked that song.

DJM: There have been a couple of times in the past where the Vocal Band members have collaborated together to co-write a song. Do you do any songwriting?
Wes: We have not done anything yet with the current group. The last collaborative effort by the group was “Picture of Grace,” at least as far as the whole group being involved. That’s something I’d love to do in the new year.

DJM: What do you think Southern Gospel will look like in the future, say 25 years down the road?
Wes: Oh, yeah, I think it has such a loyal following and has for years, and it’ll still be strong. It goes from the Vocal Band all the way to the other end of the spectrum. To me, the Vocal Band is not Southern Gospel, but it is Southern Gospel, if you know what I mean. It’s just different sounding from anything else. I think Southern Gospel will continue to grow, from the more traditional sounding groups to the Vocal Band. That’s what makes it so great!

DJM: Some groups have a fixed set list every night, but I think you indicated earlier that Bill Gaither can call any number of songs. Between Vocal Band songs and Homecoming choir songs, how many songs do you have to be able to sing on the spur of the moment?
Wes: Wow, that’s a good question! Basically if it’s recorded, it’s fair game for for the Vocal Band. On the video we taped in Canada, we did “I Bowed On My Knees” with Michael English. Bill had never once asked me if I knew it, and we’d never rehearsed it. Sometimes it flies, and sometimes it falls, but especially if we rehearsed it in the last year or two it’s fair game.

We usually have a general idea of what the set’s going to be, but sometimes he’ll have something we had no idea was coming!

DJM: So would he even call stuff from the ’80s? What’s the oldest song he might call?
Wes: I think the earliest stuff he has called would be from the Vocal Band Homecoming project, “Temporary Home.” I think anywhere from that group forward is fair game, but he’s not usually going to call a song that we haven’t rehearsed at some point.

DJM: Random question: The year is 1975, and you have your pick of singing tenor for any Southern Gospel group. Which group do you choose, and why?
Wes: I would say maybe the Cathedrals, but I guess my first choice would be the Imperials, because that music was so instrumental when I was so young. That was when I first started hearing and singing harmony, when I was 4 or 5 years old with Russ Taff on “Trumpet of Jesus,” “Eagle Song,” “Oh, Buddha.” I still love that music!

DJM: Are there any questions you wish an interviewer would ask you, but nobody has to date?
Wes: Honestly you’ve asked some great questions. I’m not sure I can think of any. I often get more run of the mill questions like, “What’s it like to sing with Bill Gaither, to be in the group?” But there were some great questions. Daniel Britt also asked some great questions when he interviewed me.

Questions I love answering are what’s life like at home, what’s your day like.

DJM: I just didn’t want to duplicate what you’ve already done fairly extensively in the FAQ page of your site!
Wes: Oh, that’s very out of date! I’ve been home for a few weeks. There are so many emails in my inbox that it’s been unbelievable. I haven’t checked it recently because I’ve enjoyed being home so much, enjoyed being with my kids. I’m kinda selfish with my time, and want to spend every moment with my family! But I’ll hopefully get some more FAQs on there. I’ve got a lot waiting!

DJM: Any other thoughts or comments?
Wes: No, but I appreciate you taking the time to do this!
DJM: I really appreciate you taking the time, too! Thank you!

I recently had the opportunity of interviewing Pat Barker, bass singer for the Dixie Echoes and recently a top 5 nominee in the Singing News Fan Awards for Horizon Individual of the Year. A formatted version of the interview is here: http://www.southerngospelblog.com/features/20081215.pdf.

DJM: How did you get interested in Southern Gospel, and what sparked a desire to sing it yourself?
Pat: My dad was the one who got me interested. He loves Southern Gospel, he loves quartet music. So I was raised on it as well.

DJM: Was he a bass singer, too?
Pat: Yes, he was.

DJM: Did his voice sound anything like yours?
Pat: You know what’s funny—for a Father’s day gift, I took every recording he’d made, some he didn’t even known about, and put them on CD. When I was listing to them, I thought, “Wow, that sounds just like me!”

Without knowing it, I just got his voice. He can sing the solos, and he got quite an incredible range. I wish I had a voice half as good as his.

DJM: What sparked a desire to sing it yourself? (Continue Reading >>>)

Recently, I had the chance to interview Christian Davis. After singing bass with the Old Time Gospel Hour Quartet, Christian Brothers Quartet, and Mercy’s Mark, he recently launched a solo ministry and has reorganized the Christian Brothers Quartet for select dates. His website is www.christiandavisministries.com.

For a formatted version of the interview, click here: http://www.southerngospelblog.com/features/20081201.pdf. A text version is below.

DJM: How did you get interested in Southern Gospel?
Christian: I started at an early age, growing up around it. My family were big Southern Gospel fans. Being involved in church, and listening to tapes and records, it just kinda sunk into my system and my blood.
My dad had a Sunday morning radio program and I always loved to pick out songs for him to play. One of my favorite things to do on Sunday morning was go to the radio station with my Dad.
As I got older, that’s when I really developed more of a love for it, because I understood it better. Not that I didn’t love it at an early age, but I was able to comprehend it a little more.

DJM: So your first experience traveling professionally was with the Sounds of Liberty?
Christian: Yeah, my first professional musical experience was with Sounds of Liberty, a recruiting group for Liberty University. That was only for the year of 1999.
At the time, the Sounds of Liberty weren’t singing Southern Gospel. One Sunday morning, I had an opportunity to speak with Dr. Jerry Falwell in his office and talked to him about starting a quartet. When I said that, it was like magic words to him. He had always wanted his own quartet, for his church, ministry and TV program (The Old Time Gospel Hour), as well as traveling with him when he goes around and speaks. He told me, “Christian, I want you to be the bass singer. Robbie Hiner doesn’t know it yet, but he’s gonna be my tenor singer!”
You can read a little about that on my website.

DJM: You were with them from ‘99 through ‘03?
Christian: Yeah, I was with them for four years.

DJM: And then you started your own group…
Christian: Yes, the Christian Brothers. (Continue Reading >>>)

Recently, I had the chance to interview Cody Boyer, baritone singer for the Weatherfords. Lily Weatherford, who has been with the group for decades, still sings alto for the group, and her son Steve sings the lead. More about Cody and the group can be found at www.theweatherfords.com or www.codyboyer.com.

Click here for the pdf, or look below for a text version.

* * *

DJM: How did you get interested in Southern Gospel?
Cody: I came from a musical family. My dad was a musician for 40+ years. He performed with Marty Robbins, Conway Twitty, Jerry Lee Lewis and a bunch of folks.

DJM: What instrument did he play?
Cody: He was a lead guitarist. He was an opening act for some people with his own band, and played in the band for some of the others.

When I was ten years old, my pastor invited me to his house to watch the Cathedrals Reunion video. I had gotten saved in church when I was eight years old, two years before that.

The pastor had given me a cassette of the reunion. When we met Dad at the airport, I sang “Movin’ Up to Gloryland” for him. Before that, I was so shy I wouldn’t talk to my aunt or uncle, or some of my five older sisters. But literally the next day, I knew I wanted to be a singer. It was an overnight thing.

Then on to a couple of years later, my dad, uncle, and I started singing in Oklahoma, in churches and music festivals.

(Continue Reading >>>)

Recently, I had the chance to interview Gary Casto, lead singer and manager for Tribute Quartet. Click here for the formatted version.

DJM: Could you tell us a little bit about yourself? How did you get interested in Southern Gospel, and what groups have you sung with?
Casto: It started years ago. My family had some friends who lived down the road who had a local group. One evening, we went over there while they were rehearsing. I sat back and watched till they looked at me and said, “Let’s teach you a song.” They taught me Squire Parsons’ “Sweet Beulah Land” and asked me to go along that week and back me up while I sang it.

Then one of the larger groups in my state, the West Virginia Couriers, was looking for a tenor singer and asked me if I could come on.

From that point—my first pro group was New Revelations; they were based a little north of Columbus, Ohio. Actually, they were in Marion, but Columbus was the nearest big city, so they typically said they were from Columbus. I was with them approximately 4 years. We traveled all over East Coast to West Coast and in Canada.

Then I was the Southmen out of Alabama.

DJM: The group Tim Riley was with?
Casto: Yes, but not at that time; Tim Riley was already with Gold City. I would say I was with them about four or five years; I was still singing tenor.

After that I was with the Harvesters. From that point I had my own group for a while, called Turning Point. We were a trio. We did that in 98 and 99 for a short stint.

For a short period while I was still doing that I worked with Southern Communications, a radio promotion company in our industry.

I was with the Wilburns from 1999 through 2005, when they retired. At that point, I was still called a tenor, even though it was with a mixed group. I was part of starting Monument and with them for a year before forming Tribute.

DJM: What was it like to transition from tenor to lead when you started Monument?
Casto: Actually, it didn’t feel too much different, because in the Wilburns, even though I was called a tenor, I was singing lower. So the transition was not hard at all.

DJM: Could you tell us a bit about your group, Tribute Quartet?
Casto: We started Tribute in 2006. The members were at that time, Josh Singletary, Dennis Duggar, and Jacob Kitson.

Josh Singletary plays keyboards and sings baritone. I sang with him in the Wilburns from 2000 till they retired.

Singing bass is Dennis Duggar from Arkansas. He was with a group called the Apostles.

DJM: Any connection to London Parris’s group?
Casto: Yes, it was the same Apostles, but another gentleman owned the name at that opint.

Tribute’s original tenor, Jacob Kitson, from Michigan, sang with his family group, the Kitsons, while he was in Bible college. Tribute’s first date was in December of ‘06; he left in June ‘08, so he was with us a year and a half.

When he left to join Greater Vision, we hired Brian Alvey, from Indiana. He had sung previously with Southern Sound. He sang tenor and at one point played the keyboard for them. He plays multiple instruments, and we’ll be utilizing his abilities there later.
DJM: What is your vision for Tribute Quartet?
Casto: Our heart is ministry. We want to do everything we can for the kingdom of the Lord.

At the same time, we’re also very industry minded. The motto I use everywhere is “Preserving the heritage and promoting the future of Southern Gospel music.” That’s our heart—too keep our music going.

DJM: So what would you say makes Southern Gospel Southern Gospel as opposed to some other form of Christian music?
Casto: The message in the song.

DJM: Put in a different way than other genres of Christian music would put it?
Casto: Yes. A lot of our songs come directly out of the Bible. Of course, I’m not trying to say that other genres aren’t Biblical…

DJM: Well, maybe we could put it like this: Southern Gospel songs tend to start off straight from the Bible and then perhaps bring in a practical application, while a CCM song would start off with real life today and perhaps bring in a Biblical application.
Casto: Yes, that’s what I was trying to say.

DJM: You mentioned that your motto is “ Preserving the heritage and promoting the future of Southern Gospel music.” So what is a typical Tribute Quartet concert like? Do you sing a lot of old material?
Casto: Actually, most of our concert is new material. What we mean by preserving the heritage is preserving the tradition, straight down the middle of quartet singing.

DJM: What makes your group unique?
Casto: We try to find songs that fit us, and we try to stay consistent from album to album. I’m a firm believer that “if it’s not broke, don’t fix it.” I’m also very song about what Jerry Goff told me years ago: “Always know who you’re singing to.”

Everywhere you turn, you find someone who wants to change their music or appearance. Now groups have to find something that works, but the key is to know who you’re singing to and what they want. It’s easy for promoters to bring in groups they like or for a group to record a song they like, but the key is: Do the fans like it?

DJM: Let’s jump topics for a bit. I just found out recently that you were also a songwriter. How long have you been writing songs?
Casto: Since probably about ‘04, maybe the end of ‘03—about 4 or 5 years.

DJM: About how many have you written?
Casto: Probably about 50. Maybe it’s not quite that many, but it’s somewhere around there.

I’ve co-written a few with Barbara Huffman, a few with Glen Bates, some on my own, and working on one right now with Aaron Wilburn.

DJM: Could you name some groups that have recorded songs you wrote or co-wrote?
Casto: The McKameys recorded “He Hears My Tears” and “Coming Very Soon.” The Ruppes recorded “One Day.” Three Bridges recorded “In the Valley There’s a Rock.”

The Hoppers recorded one of my best, “Grace Will Always Be Greater.” The King’s Heralds, Rejoice, and Tribute have all recorded songs I’ve written.

DJM: But Tribute has only done a few of your songs.
Casto: Yes—we’ve recorded “I’m in That Crowd” and “This I Know.”

DJM: When a group has a songwriter who sends songs to other groups, it’s not unheard of for them to do their own versions of some of those songs. Greater Vision did Rodney Griffin’s “He’d Still Been God” and “The Depths of the Fathers Love” after the Freemans and the Kingdom Heirs introduced the songs. Have you considered that possibility?
Casto: It is a possibility. Other songwriters have encouraged me to a male quartet rendition of “Grace Will Always Be Greater.” So it’s definitely a possibility.

DJM: Of all the songs you have written, which songs mean the most to you? Do you have a personal favorite?
Casto: Well, it would have to be a tie—“The Climb” and “Grace Will Always Be Greater.”

“The Climb” is a song Monument recorded that we’ll probably cut again one of these days. It really means a lot to me; a lot of thought went into that song.

Barbara Huffman and I wrote “Grace Will Always Be Greater” together. That one came so quickly—the words the Lord gave us. The Climb took a lot of heart, a lot of thought process.

DJM: If you could do one thing to improve Southern Gospel, what would it be?
Casto: I think if I had the power, I would bring unity between all ministries. That everyone could be in one mind and one accord as the Bible speaks about. I guess that might sound cheesy, but it is my heart. If we could all be one unit, one team, we could be so much more effective for the Kingdom of God.

DJM: Are there any questions you wish an interviewer would ask you, but nobody has to date?
Casto: Wow! I’ve done so many interviews—you would think there would be one that would come directly to mind. I’ve done interviews from the artist’s perspective and the industry side; I’m involved with the Southern Gospel guild and the SGMA [Southern Gospel Music Association].

There aren’t really any that I can think of off hand.

There was one question asked to me this year at NQC which nobody had ever asked me before: “Why do you do what you do”?

The reason why we do what we do is we love what we sing, and we sing what we love, and that’s Southern Gospel music.

DJM: The year is 1973, and you have your pick of singing for any Southern Gospel group. Which group do you choose, and why?
Casto: The Cathedrals. The Cathedrals have always set the standard from Day 1. They were not as popular then, but they had a strong ministry, always had high standards, and were starting to take off.

They’ve set good examples, they’ve paved the road, and now I and other Southern Gospel performers today get to benefit from the roads that they have paved. And it’s great to walk that paved road, but it would have been something to help pave that road.

DJM: Any other thoughts or comments?
Casto: It’s all about the songs. It’s about the message.

We as groups have to be so careful in what we record, because we live with it the rest of our lives. We don’t ever know what song’s gonna go down in history as a classic. We as writers can sometimes feel if something’s gonna be good, but we never know until the Lord starts ministering to people’s hearts how He’ll use it.

It could be a longevity song or a one-project song. A prime example is “Grace Will Always Be Greater.” It’s been a big hit as far as staging for the Hoppers, but it didn’t get sent to radio.

DJM: Well, there had to be something like eight songs on that project that would have made strong singles!
Casto: Yes, definitely. The Ride is one of strongest projects ever recorded in Southern Gospel Twenty Years down the road, we’ll still be talking about it.

I see the future of Southern Gospel music growing by leaps and bounds. I really feel that the best years are ahead of us in Gospel music—Gospel music is on the upswing. We’re seeing crowds grow at concerts, the crowd was bigger at NQC this year—Southern Gospel is stronger than ever!

DJM: Thanks for doing this!

I recently had a chance to interview Southern Gospel songwriter Rusty Golden. The formatted interview can be found here: http://www.southerngospelblog.com/features/20081015.pdf; a plain text version is after the jump. (Continue Reading >>>)

I recently had the chance to interview Penny Greene, alto singer for the Chuck Wagon Gang. The interview can be found here: http://www.southerngospelblog.com/features/200810.pdf.

To see a text-only version, click “Continue Reading.” (Continue Reading >>>)

At the 2008 National Quartet convention, I had the chance to sit down and talk with Mike LeFevre for several minutes. LeFevre sang with the Alphus LeFevre Singers, the Singing Americans, Gold City, and Brian Free & Assurance; he now leads his own group, the Mike LeFevre Quartet (www.lefevrequartet.com).

Here is the formatted interview: http://www.southerngospelblog.com/features/200809.pdf.

The text of the interview is after the jump. (Continue Reading >>>)