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6 December 2007

CD Review: “Timeless Treasured Classics 2″ (Liberty Quartet)

Posted in: 5 star, CD Reviews, Reviews — Daniel J. Mount @ 8:09 am

Liberty Quartet CDFor several years, I’ve been hearing good things from the West Coast about a group called the Liberty Quartet. They are off of the beaten path most Southern Gospel groups travel, but they’ve charted their own way to a full-time ministry on the West Coast.

Their success doesn’t come from producers and record companies shaping their sound. Bass Royce Mitchell, the only founding member of the group still on the road, has Bachelor’s and Master’s degrees in music and did vocal arrangements for this project. (Mitchell isn’t the only group member with formal music training, either; baritone/pianist Doran Ritchey took a piano major and vocal minor in Bible College and tenor Keith Waggoner earned a BA in Church Music.)

Since this was a hymns project, I didn’t come into the review process with high expectations. Even the good hymns projects tend to use either arrangements straight from the hymnal or familiar earlier Southern Gospel arrangements. But after hearing Liberty Quartet sail effortlessly through more chord, time signature, and tempo changes than a typical mainstream group on a major label release, I found myself hoping that their projects of new songs could measure up.

Project highlights include renditions of “Jesus Saves,” “My Savior’s Love / And Can it Be,” “Crown Him with Many Crowns,” “Battle Hymn of the Republic,” and “Soldier Medley.”

Bass Royce Mitchell is featured on “Count Your Blessings” and “No Not One.” His daughter Jenna does an uncredited guest appearance on “Blessed Assurance.” Tenor Keith Waggoner’s sole solo on the project is on “Trust and Obey.” Baritone/pianist Doran Ritchey is featured on “My Savior’s Love/And Can it Be?” and “I Will Praise Him/Doxology.” Lead singer Dan Gilbert, who has a powerful and dynamic voice that reminds me of Arthur Rice, is featured on “When the Roll is Called Up Yonder,” “Soldier Medley,” and “Crown Him With Many Crowns.”

Liberty’s careful attention to detail shows in the project’s packaging. They get the little things right, like listing the author and copyright information for all songs, even those in medleys, and listing group members. (A surprising number of groups forget that detail.) The CD itself is unique; its surface not only looks like an EP record but feels like one. The grooves were convincing enough that I almost put it into my record player to see if it would play.

After the good reports I’d heard about the group, I was slightly apprehensive about introducing myself to their music through a hymns project. But after listening to it several times, merely saying that I am impressed by this tour de force is a considerable understatement.

Rating: Highly Recommended. (5 stars of 5)

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8 Comments »

  1. Comment by Quaid (December 6, 2007, 10:19 am)

    It annoys me to no end when an album does not list the group members. Often when I’m at a concert, any certain group has had a personnal change since their latest recording. And if that concert was my introduction to the group, I usually won’t know who’s on the CD/tape. So it’s good to hear that somebody finally has got the right idea by listing group info in the linear notes.

    [Reply]

  2. Comment by Daniel J. Mount (December 6, 2007, 10:20 am)

    Of course, I didn’t mean to imply that every other group forgets this little detail, but unfortunately many do.

    [Reply]

  3. Comment by Inquirer (December 6, 2007, 11:40 am)

    Once again, Daniel, you have given a deserving quartet recognition with a review.

    Living on the West Coast as I do, I have had the opportunity to see the Liberty Quartet in person frequently. They are not only fine singers, but they are fine Christian gentlemen with an outstanding witness, and they remind me of my friends the Couriers in that respect.

    In addition, I feel that there is no bass singer traveling today who is better than Royce Mitchell. Royce not only shines on solos and blending in harmony, he is an outstanding arranger and manager.

    I hope your review spurs your readers to sample the Liberty Quartet for themselves. I’m confident that those who do will agree with me that they indeed are an excellent quartet.

    [Reply]

  4. Pingback by SouthernGospelBlog.com » DVD Review: “Above and Beyond” (Liberty Quartet) (February 5, 2008, 7:23 am)

    [...] the high rating I gave Liberty Quartet’s Timeless Treasured Hymns 2 project late last year, I have been [...]

  5. Pingback by SouthernGospelBlog.com » Marketing Groups (and CD Reviews) (June 9, 2008, 7:01 am)

    [...] to want to check the group out. This is where reviews come into play, a positive review, like this one, can make people curious enough to check out a group. Once you have their attention and they try a [...]

  6. Pingback by SouthernGospelBlog.com » DVD Review: Hymn Sing 1 and 2 (Liberty Quartet) (November 21, 2008, 6:30 am)

    [...] Liberty Quartet is a full-time Southern Gospel quartet based in Boise, Idaho. In 2004, they recorded Timeless Treasured Hymns; I understand this became their best-selling album ever. They followed it in 2007 with Timeless Treasured Hymns 2, probably the only hymns project I have ever given a 5-star rating in a review (here). [...]

  7. Pingback by SouthernGospelBlog.com » CD Review: Hymns (Daybreak Quartet) (July 17, 2009, 7:02 am)

    [...] Royce, at least to my knowledge) has performed with a touring opera company. And—oddly enough—just like Liberty Quartet, I was introduced to the group through a hymns project that started with the hymn “Jesus [...]

  8. Pingback by SouthernGospelBlog.com » CD Review: The Journey (Liberty Quartet) (November 2, 2009, 6:09 am)

    [...] My journey with Liberty Quartet started several years ago, when I started hearing good things about them from a number of west coast friends (particularly John S. in California and Elysse B. in Idaho). At the time, I chalked up the rave reviews to local pride. So when I met them at NQC 2007, and they gave me a copy of their hymns CD,I politely thanked them, and promptly put it in my stack of CDs to review . . . at the very bottom. It ended up being December 2007 before I got to that CD—and promptly gave it a five-star review (here). [...]

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