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	<title>Comments on: Rebranding Southern Gospel?</title>
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	<link>http://www.southerngospelblog.com/archives/3086</link>
	<description>Positive Daily Commentary on Southern Gospel</description>
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		<title>By: Daniel J. Mount</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-28953</link>
		<dc:creator>Daniel J. Mount</dc:creator>
		<pubDate>Wed, 07 Oct 2009 01:05:33 +0000</pubDate>
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		<description>A little long, but I love it. :D</description>
		<content:encoded><![CDATA[<p>A little long, but I love it. <img src='http://www.southerngospelblog.com/wp-includes/images/smilies/icon_biggrin.gif' alt=':D' class='wp-smiley' /> </p>
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	<item>
		<title>By: SouthernGospelBlog.com &#187; Announcing: The 10,000 Comment Contest</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-28949</link>
		<dc:creator>SouthernGospelBlog.com &#187; Announcing: The 10,000 Comment Contest</dc:creator>
		<pubDate>Wed, 07 Oct 2009 01:00:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-28949</guid>
		<description>[...] Re-branding Southern Gospel Music? [...]</description>
		<content:encoded><![CDATA[<p>[...] Re-branding Southern Gospel Music? [...]</p>
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		<title>By: Steve Weatherford</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-28904</link>
		<dc:creator>Steve Weatherford</dc:creator>
		<pubDate>Tue, 06 Oct 2009 15:50:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-28904</guid>
		<description>How bout lets call it , &quot; The Best Music Most Folks Have Never Heard Of &quot;</description>
		<content:encoded><![CDATA[<p>How bout lets call it , &#8221; The Best Music Most Folks Have Never Heard Of &#8220;</p>
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		<title>By: Stac</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26742</link>
		<dc:creator>Stac</dc:creator>
		<pubDate>Sun, 02 Aug 2009 04:03:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26742</guid>
		<description>DBM, I don&#039;t disagree at all. I had actually forgotten about that AGM thing. Hope the guys behind it didn&#039;t drop to much money. American Gospel Music would be a fairly decent name, considering white, conservative, and even progressive are the other options. So.........Southern Gospel it is, I guess.</description>
		<content:encoded><![CDATA[<p>DBM, I don&#8217;t disagree at all. I had actually forgotten about that AGM thing. Hope the guys behind it didn&#8217;t drop to much money. American Gospel Music would be a fairly decent name, considering white, conservative, and even progressive are the other options. So&#8230;&#8230;&#8230;Southern Gospel it is, I guess.</p>
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		<title>By: David Bruce Murray</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26733</link>
		<dc:creator>David Bruce Murray</dc:creator>
		<pubDate>Sat, 01 Aug 2009 17:48:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26733</guid>
		<description>Stac,
There&#039;s a disconnect in logic if you defend the term &quot;bluegrass&quot; for historical reasons, but dismiss the historical reasons for calling Southern Gospel &quot;southern.&quot;

Also, it matters little what groups prefer to call themselves. Fans are naturally going to think of groups as this style or that based on how they compare to other groups. It would be disingenuous for a group that sounds similar to other Southern Gospel groups to deny they&#039;re part of that group, because that only confuses fans. If the group really is part of a progressive movement, someone will eventually invent a name that sticks...for example, &quot;newgrass&quot; was invented to distinguish the progressive style of bluegrass from traditional bluegrass. 

Simply calling a style Progressive doesn&#039;t work, because today&#039;s progressive is tomorrow&#039;s traditional. 

The bottom line is that it&#039;s very difficult to &quot;rebrand&quot; an existing style. A group of industry leaders have already tried to do that very thing with American Gospel Music...trademarking the brand, and supposedly weeding out the riffraff who give SG a bad name due to their incompetence. In the process, they went outside of SG to pick up some quality acts from Inspirational, and of course, that has diluted their brand. If Triumphant Quartet and Babbie Mason are both part of the genre, it&#039;s impossible for fans to hear a common thread in the style.  It&#039;s been so meaningless so far that I have yet to see a CD on a shelf with the American Gospel Music brand on the cover.</description>
		<content:encoded><![CDATA[<p>Stac,<br />
There&#8217;s a disconnect in logic if you defend the term &#8220;bluegrass&#8221; for historical reasons, but dismiss the historical reasons for calling Southern Gospel &#8220;southern.&#8221;</p>
<p>Also, it matters little what groups prefer to call themselves. Fans are naturally going to think of groups as this style or that based on how they compare to other groups. It would be disingenuous for a group that sounds similar to other Southern Gospel groups to deny they&#8217;re part of that group, because that only confuses fans. If the group really is part of a progressive movement, someone will eventually invent a name that sticks&#8230;for example, &#8220;newgrass&#8221; was invented to distinguish the progressive style of bluegrass from traditional bluegrass. </p>
<p>Simply calling a style Progressive doesn&#8217;t work, because today&#8217;s progressive is tomorrow&#8217;s traditional. </p>
<p>The bottom line is that it&#8217;s very difficult to &#8220;rebrand&#8221; an existing style. A group of industry leaders have already tried to do that very thing with American Gospel Music&#8230;trademarking the brand, and supposedly weeding out the riffraff who give SG a bad name due to their incompetence. In the process, they went outside of SG to pick up some quality acts from Inspirational, and of course, that has diluted their brand. If Triumphant Quartet and Babbie Mason are both part of the genre, it&#8217;s impossible for fans to hear a common thread in the style.  It&#8217;s been so meaningless so far that I have yet to see a CD on a shelf with the American Gospel Music brand on the cover.</p>
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		<title>By: Daniel J. Mount</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26702</link>
		<dc:creator>Daniel J. Mount</dc:creator>
		<pubDate>Thu, 30 Jul 2009 22:07:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26702</guid>
		<description>Yes. Apple is a genius in some areas, but let&#039;s face it: They simply don&#039;t know Southern Gospel. :)</description>
		<content:encoded><![CDATA[<p>Yes. Apple is a genius in some areas, but let&#8217;s face it: They simply don&#8217;t know Southern Gospel. <img src='http://www.southerngospelblog.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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		<title>By: Amy Rogers</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26701</link>
		<dc:creator>Amy Rogers</dc:creator>
		<pubDate>Thu, 30 Jul 2009 22:05:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26701</guid>
		<description>I think I know why that is.  I tried once to submit track names to that CDDB? database under SG, and if I remember it wouldn&#039;t accept them.  It simply doesn&#039;t recognize that many categories.  I don&#039;t remember/know about the Inspirational thing.

iTunes itself is horrible.  Sometime when in the store, hit Ctl+B to browse, and see the ridiculous categorizations.  Maybe they&#039;ve improved over the last couple of years, but they used to have some SG artists under country - and that was one of the better ones.</description>
		<content:encoded><![CDATA[<p>I think I know why that is.  I tried once to submit track names to that CDDB? database under SG, and if I remember it wouldn&#8217;t accept them.  It simply doesn&#8217;t recognize that many categories.  I don&#8217;t remember/know about the Inspirational thing.</p>
<p>iTunes itself is horrible.  Sometime when in the store, hit Ctl+B to browse, and see the ridiculous categorizations.  Maybe they&#8217;ve improved over the last couple of years, but they used to have some SG artists under country &#8211; and that was one of the better ones.</p>
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		<title>By: Daniel J. Mount</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26700</link>
		<dc:creator>Daniel J. Mount</dc:creator>
		<pubDate>Thu, 30 Jul 2009 19:45:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26700</guid>
		<description>Thank you so much! Your insights are always very appreciated.</description>
		<content:encoded><![CDATA[<p>Thank you so much! Your insights are always very appreciated.</p>
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		<title>By: Neil Enloe</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26699</link>
		<dc:creator>Neil Enloe</dc:creator>
		<pubDate>Thu, 30 Jul 2009 19:15:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26699</guid>
		<description>Thanks Dean.  You bailed me out.</description>
		<content:encoded><![CDATA[<p>Thanks Dean.  You bailed me out.</p>
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		<title>By: Dean Adkins</title>
		<link>http://www.southerngospelblog.com/archives/3086/comment-page-1#comment-26697</link>
		<dc:creator>Dean Adkins</dc:creator>
		<pubDate>Thu, 30 Jul 2009 15:14:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.southerngospelblog.com/?p=3086#comment-26697</guid>
		<description>The Blackwood Brothers began their stint in Iowa in the summer of 1940 – Station KMA. The personnel was Roy, James, Doyle, RW &amp; Hilton Griswold. During WWII, the group was based in CA and Don Smith was the bass. At the end of the war, the group returned to KMA ; Roy was tenor, James – lead, Hilton – piano/baritone, and Don Smith – bass. When RW was discharged, he returned to the baritone slot &amp; Hilton was pianist only. In 1947, Don Smith decided to return to CA and Bill Lyles became the bass. Demand for the group was so great that two Blackwood Brothers Quartets were established. Quartet #1 was RW, James, Bill Lyles, Cat Freeman &amp; Hilton Griswold. Quartet #2 was Roy, Doyle, Johnny Dixon, Warren Holmes and Billy Gerwin. Quartet #2 was disbanded prior to the move to Memphis in 1950. At that time, the Blackwood Brothers were Alden Toney – tenor, James – lead, RW – baritone, Bill Lyles – bass and Jackie Marshall – pianist.</description>
		<content:encoded><![CDATA[<p>The Blackwood Brothers began their stint in Iowa in the summer of 1940 – Station KMA. The personnel was Roy, James, Doyle, RW &amp; Hilton Griswold. During WWII, the group was based in CA and Don Smith was the bass. At the end of the war, the group returned to KMA ; Roy was tenor, James – lead, Hilton – piano/baritone, and Don Smith – bass. When RW was discharged, he returned to the baritone slot &amp; Hilton was pianist only. In 1947, Don Smith decided to return to CA and Bill Lyles became the bass. Demand for the group was so great that two Blackwood Brothers Quartets were established. Quartet #1 was RW, James, Bill Lyles, Cat Freeman &amp; Hilton Griswold. Quartet #2 was Roy, Doyle, Johnny Dixon, Warren Holmes and Billy Gerwin. Quartet #2 was disbanded prior to the move to Memphis in 1950. At that time, the Blackwood Brothers were Alden Toney – tenor, James – lead, RW – baritone, Bill Lyles – bass and Jackie Marshall – pianist.</p>
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